Blog on the move…

October 16, 2009

Just to let you know that the Ssh! blog has now moved into the full Loughborough UniversityLibrary ad-lib blog at: http://blog.lboro.ac.uk/blog/

Please follow discussions and add comments on the new blog. Thank you for reading Ssh!


Suggestions of a housemaid with a duster

September 7, 2009

 Future

‘The very latest came to Steinway Hall yesterday afternoon from Russia via New York…Mr Leo Ornstein ….is a Russian pianist who two years ago began to write ‘futurist’ music for the piano.’

‘Mr. Ornstein is a trick pianist of the first order.   An energetic housemaid with a duster might do some of the things he did, but not nearly all of them.  His facility is amazing, even if it is granted that the actual notes he plays may be the chance of the moment.’

‘Probably the writer of the programme note was write in saying that they are meant to be felt, not analysed.   They are quite unthinkable, but one is stirred by their crudity, their energy, and often by their absurdity.The Times, Saturday, Mar 28, 1914; pg. 6; Issue 40483; col G      A “Futurist” At The Piano. Suggestions Of A Housemaid With A Duster

In 1909 Filippo Tommaso Marinetti published his ‘Manifeste de fondation du Futurisme’,  heralding an approach to the composition and performance of music, art, drama and literature characterised with an impression of speed, violence, militarism, and anarchic energy  kicking against the artistic traditions of the previous centuries,  such as Roman classicism and Italian opera, creating their own mechanical musical instruments , and rejecting all the existing art establishments such as museums and galleries.

At the end of the First World War, the futurist movement moved into turbulent politics with the creation of the Partito Politica Futurista in 1918 [Marinetti writing his Democrazia futuriasta in 1919] ,  shortly to be absorbed into the Fascist movement around 1920, with futurist artists giving the Fascist movement a gloss of  artistic modernism.  

If you would like to learn more about Marinetti and Futurism, please see the resources below.

La futurista by Benedetta Cappa Marinetti shelved at 759.5 MAR/FUT on Level 2

The untameables by Filippo Tommaso Marinetti shelved at 823.8/MAR on Level 2

Marinetti :selected writings /edited, and with an introduction shelved at 709.04033/MAR on Level 2

The genesis of Futurism :Marinetti’s early career and writings 1899-1909 by Günter Berghaus shelved at 809.04/BER on Level 2

Futurist performance /by Michael Kirby ; with manifestos and playscripts translated from the Italian by Victoria Nes Kirby shelved at 792.0945/KIR on Level 2

Italian Futurism

Distruzione Poema Futurista

I manifesti del futurismo

Three Reasons Why Futurism is more Contemporary than Ever – essay by  Marco Bevolo

Literature Online

Web of Science


Fig Leaf Wardrobe

August 27, 2009

 

leaf

The V & A are hosting a new exhibition celebrating contemporary design Telling Tales : Fantasy and Fear in Contemporary Design

The V & A writes that the exhibition ‘ explores the recent trend among European designers for unique or limited edition pieces that push the boundaries between art and design.’

‘It showcases furniture, lighting and ceramics, designed by a new generation of international designers, including Tord BoontjeMaarten Baas,  Jurgen Bey and Studio Job, who are all inspired by the spirit of story-telling. Each tells a tale through their use of decorative devices, historical allusions or choice of materials, sharing common themes such as fantasy, parody and a concern with mortality’

The exhibition is free, open daily 10.00am -17.30pm and Fridays 10.00am -21.30pm, and runs until the 18th October. 


La Mort du duc de Guise

August 25, 2009

Music notes

Alhambra Theatre , London

‘At a “private exhibition” yesterday afternoon, Messers. Pathe Freres, in conjunction with the management, showed on the cinematograph  three wordless plays from Paris.’

‘On the cinematograph we saw not only the murder …but glimpses of the life of cafes , grand and humble …and all sorts of thrilling things, including a  danse d’Apache by Mlle. Mistenguette and a man.’

‘All these, of course,  not in the flesh, but on the films , while the orchestra played….next came a version of  L’Arlesienne… and finally the Murder of the Duke of Guise, a play specially composed for  this kind of performance , by M. Lavenden, and acted by no lesser people than M. le Bargey, M. Albert Lambert, and Mlle. Gabrielle Robbinne.’  The Times, Saturday, Nov 21, 1908; pg. 13; Issue 38810; col

Camille Saint-Saens wrote in 1908 the first modern film score for the cinema, for the silent film Murder of the Duke of Guise [sometimes refered to as  L’Assassinat du duc de Guise].    The film only ran for about 18 minutes, but has become of great historical importance in the development of silent films, film scores, and sound of  the ‘talkies’.  Silent films were still popular in France up to the 1930s.

It is interesting to note that as the film achieved critical acclaim, going some way of launching the fledgeling film industry into popular culture, Saint-Saëns did not himself seek the notariety associated with later film-stars and film score composers.   Saint-Saëns wrote to the German journalist M. Levin in 1901  “I take very little notice of either praise or censure, not because I have an exalted idea of my own merits (which would be foolish), but because in doing my work, and fulfilling the function of my nature, as an apple-tree grows apples, I have no need to trouble myself with other people’s views.”

The Union of Film Music Composers [UFMC] is celebrating the centenary of film music, in association with the Federation of Film and Audiovisual Composers of Europe [FFACE].  UFMC writes that   ‘Le film marque un tournant dans l’histoire du cinéma en édifiant d’une première pierre l’histoire de la musique originale : la composition de Saint-Saëns suit très précisément chaque scène, n’autorisant au chef aucune désynchronisation avec l’image. D’autres extraits de musiques de films ainsi qu’une masterclass suivront la projection.’

 If you would like to lean more about Saint-Saëns and early film music, please see the links below….

Musical memories by Camille Saint-Saëns

French cinema : from its beginnings to the present by Rémi Fournier Lanzoni  shelved on L evel 2 at 791.430944/LAN

The sounds of early cinema /edited by Richard Abel and Rick Altman  shelved on Level 2 at 791.4309/SOU

Spellbound in darkness :a history of the silent film by George C. Pratt shelved on Level 2 at 791.4309/PRA

The ciné goes to town :French cinema, 1896-1914 /Richard Abel shelved on Level 2 at 791.430944/ABE

Musicians of To-Day, by Romain Rolland [1915]

Film and Sound Online – a set of collections of film and video. Login via UK Federation, choose Loughborough University (ATHENS) from the drop-down list then login with your Athens username and password.   Available via MetaLib.


The Derby 1909

August 18, 2009

horse 

When the bay colt Minoru won The Derby in 1909 ‘…the tumult of jubilation was overwhelming.  Occupants of the stand waved their hats…and gave lusty vent to their feelings; thousands of ardent enthusiasts came running down the course to the stand, and they in turn shouted with delight till they could shout no more.  

‘On the hill beyond more hats were thrown in the air and more outbursts of rejoicing were heard.   Meanwhile his Majesty had left his place, gone down the steps….to lead the winner back. the King re-entered the enclosure holding his colt’s leading rein, and then once more enthusiam burst forth, cries of  “Vive le Roi” giving evidence of the presence of sportsmen from France.  It was a spectacle never to be forgotten.’ The Times, Thursday, May 27, 1909; pg. 10; Issue 38970; col A

King Edward VII had leased the colt from Lord Wavertree, and was the first monach to have a horse win the Derby. A race course in Richmond, Canada, was named after the horse and the colt featured on a the box lid of a racing board game.

Loughborough University Library subscribes to a number of equestrian sports related e-journals such as Horse and Rider,  Practical Horsemanship , Dressage today  and the Corinthian Horse Sport.   For the horse owner, there are also a number of veterinary titles available such as Equine and comparative exercise physiologyJournal of Equine Science,  The British veterinary journal  and Equus.   Off campus access available using Athens username and password or by logging in to the Remote Working Portal and MetaLib. 

Minoru Horse sculpture – sculptor Sergei Traschenko

Equestrianism in the East Midlands

Horses – equine issues in Government

Strategy for the Horse Industry in England and Wales

The Equestrian


Rabbit Hutch Britain

August 17, 2009
Smallest house in Great Britain. Copyright: DerbyRed www.flickr.com

Smallest house in Great Britain. Copyright: DerbyRed http://www.flickr.com

It is is claimed that the  fisherman’s cottage on the quayside in Conwy and built in the 1800s is the smallest house in Britain. According to a survey for the Commission for Architecture and the Built Environment (CABE) some houses still lack enough space in which their owners can live comfortably. Houses, flats and bungalows built between 2003 and 2006 are said to be far too small for children to play in. 2,500 owners of private new homes were surveyed: 57% said that they didn’t have enough storage space, 47% didn’t have room for all the furniture they needed and 35% said that there weren’t enough surfaces in the kitchen to store basic appliances like toasters and microwave ovens. Researchers said that economically disadavantaged households are more likely to suffer from a lack of space and having a larger living area would have both health and educational benefits. Families with a  proper dining area  are more likely to eat healthily and develop closer relationships. CABE says that the lack of space could also affect the current Government waste policy because 72% of house owners do not have enough space outside to store their recycling bins. Richard Simmons, CABE chief executive, said that local planning authorities needed to stipulate adequate space standards for houses before allowing developments to proceed.  If you want to research further into the social aspects of housing you can consult our resources,  ASSIA and the International Bibliography of the Social Sciences (IBSS) and  Civil Engineering Abstracts will provide references and links to full text for all the technical aspects of housing.

Different significations

August 13, 2009

 

 dictionary

 Samuel Johnson Tercentenary 2009 

‘This Month will be publifhed, in Two large VOLUMES in FOLIO (Price bound Four Pounds Ten Shillings) A DICTIONARY of the ENGLISH LANGUAGE ; In which the Words are deducted from their Originals and illuftrated in their different Significations, by Examples from the beft Writers.  To which are prefixed, a GRAMMAR and a HISTORY of the LANGUAGE by SAMUEL JOHNSON A.M. ‘

Public Advertiser (London, England), Saturday, March 1, 1755; Issue 6346

Creating and publishing dictionaries had been popular by Johnson’s time,  when previously the idea of looking up information in a book, using the front and middle and end of a book, A-Z , had been a relative novelty.

Johnson was an extraordinary writer, always strapped for cash, and the dictionary became a great challege for him to compile over many years, sifting out words and descriptions suitable for his readers from those he felt were not suitable  [every language has … its improprieties and absurdities, which it is the duty of the lexicographer to correct or proscribe..  ‘ Preface to the Dictionary]

It is interesting to note that Johnson was well aware that despite the publishing of a list of words and their meanings, the English language would still grow and develop.  In the preface of the the Dictionary he tells his reader that ‘sounds are too volatile and subtile for legal restraints….Those who have much leisure to think, will always be enlarging the stock of ideas, and every increase of knowledge, whether real or fancied, will produce new words, or combinations of words.’

Johnson’s friends were perhaps rightly aggreived to see the poor send off the author received at Westminster Abbey when Johnson died in 1784.    Wax candles had been ordered, along with the playing of the organ, however one person observed  that ‘not a key of the organ was ftruck, or a fingle taper was lighted up on the occaifon.  The fervice, the mutilated fervice, was mumbled over …in the moft unfkilful and unfeeling manner….’ Public Advertiser (London, England), Tuesday, December 28, 1784; Issue 15785

 

If you would like to learn more about Dr Samuel John and his time, please see the resources below.

Domestick privacies :Samuel Johnson and the art of biography /edited by David Wheeler  shelved on Level 2 at 828.6 JOH/DOM

The political writings of Dr. Johnson /edited by J.P. Hardy shelved on Level 2 at 942.07/JOH

The life of Samuel Johnson /James Boswell ; edited, abridged and annotated by John Canning shelved on Level 2 at 828.6 JOH/BOS

BBC Stoke and Stafforshire

Icons – a portrait of England

Johnson Collection

Dr Johnson’s House

Samuel Johnson Tercentenary

Samuel Johnson Birthplace Museum


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